{"id":983,"date":"2013-02-20T10:07:59","date_gmt":"2013-02-20T10:07:59","guid":{"rendered":"https:\/\/vjic.org\/vjic2\/?page_id=983"},"modified":"2021-11-12T13:55:23","modified_gmt":"2021-11-12T13:55:23","slug":"authors","status":"publish","type":"page","link":"https:\/\/vjic.org\/vjic2\/?page_id=983","title":{"rendered":"Contributors"},"content":{"rendered":"

<\/a><\/p>\n

VJIC authors are listed in
\nalphabetical order with links to their essay, book review, or portfolio. <\/span><\/strong><\/em><\/h3>\n

A<\/a>\u00a0 B<\/a>\u00a0 C<\/a>\u00a0 D<\/a>\u00a0 F <\/a> G<\/a>\u00a0 H<\/a>\u00a0 I<\/a>\u00a0 J<\/a>\u00a0 K<\/a>\u00a0 L<\/a>\u00a0 M<\/a>\u00a0 N<\/a>\u00a0 O<\/a>\u00a0 P<\/a>\u00a0 Q<\/a>\u00a0 R<\/a>\u00a0 S<\/a>\u00a0 T<\/a>\u00a0 U<\/a>\u00a0 V<\/a>\u00a0 W<\/a>\u00a0 X<\/a>\u00a0 Y<\/a>\u00a0 Z<\/a><\/strong><\/h4>\n

<\/a>
\nAmrose, Michael:<\/strong>\u00a0 Quodtidian and Street Art
\n<\/a>Anam Cara, Iris:<\/strong>\u00a0 Love Letters<\/a><\/p>\n

<\/a><\/p>\n

B<\/span>
\nBelash, Ksenia:<\/strong>\u00a0 Book Review, “Secrets” by Natalya Reznik<\/a><\/p>\n

<\/a><\/p>\n

C<\/span>
\nCepeda, Rui:<\/strong>\u00a0 Culturofagia: those who eat culture<\/a>
\nChowdhury, Eleonore:\u00a0 <\/strong>Indian Art \u2013 The Moderns<\/a>
\nChurch, Dennis:\u00a0 <\/strong>Other Americans<\/a>
\nCiarbellini, Lara:\u00a0 <\/strong>Somnambulism<\/a>
\nColeman, A.D.:<\/strong>\u00a0 Dinosaur Bones: The End (and Ends) of Photo Criticism (Part 1)<\/a>
\nColner, Miha:\u00a0 <\/strong>Traces of Locality: Traditions and Identities of Contemporary…<\/a><\/p>\n

<\/a><\/p>\n

D<\/span>
\nde Schamphelaere, Wim:\u00a0 <\/strong>Exchanging Looks: African Village Portraits<\/a>
\nDuda, Dan:\u00a0 <\/strong>Michael Michlmayr Meet Albert Einstein<\/a>
\n—<\/strong>The Physics of Photography<\/a>
\n—<\/strong>Jung, Physics and Art <\/a>
\nDuda, Dan & Leah Oats:\u00a0 <\/strong>The Physics of Photography<\/a>
\nDugan, Jess:\u00a0 <\/strong>Every Breath We Drew<\/a>
\nDutertre, Pierre:\u00a0 <\/strong>Deep Forest and Seascapes<\/a><\/p>\n

<\/a><\/p>\n

E<\/span>
\nEber, Dena Elisabeth:\u00a0 <\/strong>Her Mikveh<\/a><\/p>\n

<\/a><\/p>\n

F<\/span>
\nFayer, Marico:\u00a0 <\/strong>Mariko and White<\/a>
\nFerguson, Sarah:\u00a0 <\/strong>Unleashed<\/a>
\nFini, Francesca:\u00a0 <\/strong>Fair and Lost<\/a><\/p>\n

<\/a><\/p>\n

Top<\/a><\/p>\n

G<\/span>
\nGarg, Arvind:\u00a0 <\/strong>Death in the Beach<\/a>
\nGibbons, Damiana:\u00a0 <\/strong>Rural Places Meet Media Literacy: Representing Truth and Self…<\/a><\/p>\n

<\/a><\/p>\n

H<\/span>
\nHenner, Mishka:\u00a0 <\/strong>No Man\u2019s Land<\/a><\/p>\n

<\/a><\/p>\n

I<\/span>
\nIvanov, Anton:\u00a0 <\/strong>Portfolio<\/a><\/p>\n

<\/a><\/p>\n

J<\/span>
\nJonsson, Olof G.:\u00a0 <\/strong>Medieval PowerPoint<\/a>
\n<\/strong><\/p>\n

<\/a><\/p>\n

K<\/span>
\nKantor, Loli:\u00a0 <\/strong>There Was a Forest: Jewish Life in Eastern Europe Today<\/a>
\nKeiser, Susan: \u00a0<\/strong>A River Made of Time and Memory<\/a>
\nKelbermann, Dina:\u00a0 <\/strong>I\u2019m Google<\/a>
\nKimyonghun,<\/b> Shinseungback: \u00a0 <\/b>A Million Seasons<\/a>
\nKlingensmith, Kelly:\u00a0 <\/strong>Book Review, “Living with His Camera” by Jane Gallop
\n<\/a>Krasnoschok, Vlad:\u00a0 <\/strong>Portfolio<\/a>
\nKutt, Sabine:<\/strong> Only Women Can Do That<\/a><\/p>\n

Top<\/a><\/p>\n

<\/a><\/p>\n

L<\/span>
\nLefler, Bret:\u00a0 <\/strong>Visual Culture and Advertising<\/a>
\nLehner, Ace:\u00a0 <\/strong>Checking Out Original Plumbing<\/em><\/a>
\nLeJeune, Mararet:\u00a0 <\/strong>The Modern Day Diana<\/a>
\n<\/strong><\/p>\n

<\/a><\/p>\n

M<\/span>
\nMadzigon, Jana:\u00a0 <\/strong>Let there be Lucy<\/a>
\nMaierhofer, Sara-Lena:\u00a0 <\/strong>Dear Clark
\n<\/a>Manko, Igor:\u00a0 <\/strong>The End According to Pedan<\/a>
\nMatthew, Annu Palakunnathu:\u00a0 <\/strong>An Indian from India<\/a>
\nMayes, Elaine:\u00a0 <\/strong>Things on the Ground<\/a>
\nMhire, Herman:\u00a0 <\/strong>Portfolio<\/a>
\nMichlmayr, Michael:\u00a0 <\/strong>Time Spaces<\/a>
\nMihov, Nikola:\u00a0 <\/strong>The Sea Inside<\/a>
\n<\/strong><\/p>\n

<\/a><\/p>\n

N<\/span>
\nNguyen, Anh-Thuy:\u00a0 <\/strong>Thuy & Rice<\/a><\/p>\n

<\/a><\/p>\n

O
\n<\/strong><\/span>Oats, Leah:\u00a0 <\/strong>Transitory Space<\/a><\/span>
\nOsman, Abdi:\u00a0 <\/strong>Labeeb<\/a><\/p>\n

<\/a><\/p>\n

P<\/span>
\nPamminger, Klaus:\u00a0 <\/strong>Four Films
\n<\/a>Peschek, Christiane:\u00a0 <\/strong>13 Kinder<\/a>
\nPettersson, Rune:<\/strong>\u00a0 Views on Visual Literacy<\/a><\/p>\n

Top<\/a><\/p>\n

<\/a><\/p>\n

R<\/span>
\nRamos-Velasquez, Vanessa: <\/strong>\u00a0Digital Anthropophagy and the Anthropophagic…<\/a>
\nReznik, Natalya:\u00a0 <\/strong>Images of Elderly People in Contemporary Documentary Projects<\/a>
\nRobbins, Saul:\u00a0 <\/strong>Where\u2019s My Happy Ending?<\/a>
\nRooney, Anna:\u00a0 <\/strong>Visual Thinking<\/a><\/p>\n

<\/a><\/p>\n

S<\/span>
\nSamizay, Gazelle:\u00a0 <\/strong>Upon My Daughter<\/a>
\nScamparini, Paula:\u00a0 <\/strong>Serie Palavras and Muchen Series<\/a>
\nSchilder, Evelien:\u00a0 <\/strong>Theoretical Underpinnings of Media Literacy…<\/a>
\nSchmid, Sira-Zoe:\u00a0 <\/strong>The Untitled Portrait Series<\/a>
\nShapiro, Alan:<\/strong>\u00a0 The Future of the Image (Part One)<\/a>
\nSharma, Martushka & Anil:\u00a0 <\/strong>Talking With Anil<\/a>
\nSzil\u00e1gyi, <\/strong>S\u00e1ndor:\u00a0 <\/strong>On Photography<\/a>
\nSzombat, Eva:\u00a0 <\/strong>Eve\u2019s Adams<\/a><\/p>\n

Top<\/a><\/p>\n

<\/a><\/p>\n

T<\/span>
\nTussey, Brynna:\u00a0 <\/strong>Western Hegemony in Tourist Art Aesthetics<\/a><\/p>\n

<\/a><\/p>\n

U<\/span><\/strong><\/p>\n

<\/a><\/p>\n

V<\/span>
\nVasquez, T.:\u00a0 <\/strong>The Hegemony of Photography and Computer Technology<\/a><\/p>\n

<\/a><\/p>\n

W<\/span>
\nWalters, Maureen:\u00a0 <\/strong>What is Visual Literacy<\/a>
\nWashko, Angela:\u00a0 <\/strong>Playing Like A Girl<\/a>
\nWilliams, Antoine:\u00a0 <\/strong>Animal Illustrations<\/a><\/p>\n

<\/a><\/p>\n

X<\/span><\/strong><\/p>\n

<\/a><\/p>\n

Y<\/span><\/strong><\/p>\n

<\/a><\/p>\n

Z<\/span><\/strong><\/p>\n

Return To Top<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

VJIC authors are listed in alphabetical order with links to their essay, book review, or portfolio. A\u00a0 B\u00a0 C\u00a0 D\u00a0 F G\u00a0 H\u00a0 I\u00a0 J\u00a0 K\u00a0 L\u00a0 M\u00a0 N\u00a0 O\u00a0 P\u00a0 Q\u00a0 R\u00a0 S\u00a0 T\u00a0 U\u00a0 V\u00a0 W\u00a0 X\u00a0 Y\u00a0 … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":88893,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-983","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2KsSU-fR","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/users\/88893"}],"replies":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=983"}],"version-history":[{"count":26,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/983\/revisions"}],"predecessor-version":[{"id":6534,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/983\/revisions\/6534"}],"wp:attachment":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}