{"id":834,"date":"2013-02-08T16:51:31","date_gmt":"2013-02-08T16:51:31","guid":{"rendered":"https:\/\/vjic.org\/vjic2\/?page_id=834"},"modified":"2013-02-23T10:30:37","modified_gmt":"2013-02-23T10:30:37","slug":"portfolios-issue-1-sara-lena-maierhofer","status":"publish","type":"page","link":"https:\/\/vjic.org\/vjic2\/?page_id=834","title":{"rendered":"Portfolio by Sara-Lena Maierhofer: From the Book <i>Dear Clark<\/i>"},"content":{"rendered":"<p><i><a href=\"https:\/\/vjic.org\/vjic\/?page_id=541\">Return to Issue 1 Table of Contents\u00a0<\/a><\/i><\/p>\n<h2>Dear Clark, a Portrait of a Con Man<\/h2>\n<div id=\"attachment_816\" style=\"width: 280px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/vjic.org\/portfolio\/2013\/issue_1\/sara\/album\/index.html\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-816\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2013\/01\/5f-300x294.jpg\" alt=\"sara-5f\" class=\" wp-image-816 \" height=\"265\" width=\"270\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2013\/01\/5f-300x294.jpg 300w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2013\/01\/5f-150x147.jpg 150w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2013\/01\/5f.jpg 1000w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/a><p id=\"caption-attachment-816\" class=\"wp-caption-text\"><a href=\"https:\/\/vjic.org\/portfolio\/2013\/issue_1\/sara\/album\/index.html\">View <i>Dear Clark<\/i> Portfolio<\/a><\/p>\n<p><i>(Note: <a href=\"http:\/\/get.adobe.com\/flashplayer\/\" target=\"_blank\">Adobe Flash Player<\/a> required to view portfolio.)<\/i><\/p><\/div>\n<p>As a time traveler moves between different centuries, a con man like Clark Rockefeller travels between various identities and lives, at home only in permanent transformation. Trying to capture him in his many disguises is a rather hopeless endeavor. After several attempts to trap his persona, I realized I had to beat him with his own weapons. Accordingly, I encircled the phenomenon of the con man on different levels: his appearance, his conventions, criminal profile, and pathologies. Above all, I had to become accustomed to experimenting with deception myself, if I wanted my research to be successful\u2014to the point where reality and speculation merged, and where facts seemed as unknown and unknowable as fiction.<\/p>\n<p><a href=\"https:\/\/vjic.org\/portfolio\/2013\/issue_1\/sara\/album\/index.html\">View\u00a0<i>Dear Clark<\/i>\u00a0Portfolio<\/a><br \/><i>(Note:\u00a0<a href=\"http:\/\/get.adobe.com\/flashplayer\/\" target=\"_blank\">Adobe Flash Player<\/a>\u00a0required to view portfolio.)<\/i><\/p>\n<h2>About the Artist<\/h2>\n<p>Sara-Lena Maierhofer (born 1982 in Freudenstadt, Germany) lives and works in Berlin. She graduated in 2011 from the Fachhochschule Bielefeld with a degree in photography and media. Her work, consisting of photographs, videos, and objects, lingers between interpretation, narration, and documentation. Reoccuring subjects in her studies include identity and role play, and explores other people\u2019s lives in general. Her latest work &#8220;Dear Clark, a Portrait of a Con Man&#8221; investigates the life and lies of Clark Rockefeller, aka Christian Gerhartsreiter, and has been shown at the Museum of Photography in Berlin, the Deichtorhallen Hamburg, and FOAM Amsterdam.<\/p>\n<p>For more about Sara-Lena Maierhofer&#8217;s<br \/>book go to:\u00a0<a href=\"http:\/\/www.lindhorst-emme.de\/clark.html\" target=\"_blank\">www.lindhorst-emme.de\/<wbr \/>clark.html<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><i><a href=\"https:\/\/vjic.org\/vjic\/?page_id=541\">Return to Issue 1 Table of Contents<\/a><\/i><\/p>\n<p><i>(You are invited to add to the conversation below.)<\/i>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to Issue 1 Table of Contents\u00a0 Dear Clark, a Portrait of a Con Man As a time traveler moves between different centuries, a con man like Clark Rockefeller travels between various identities and lives, at home only in permanent &hellip; <a href=\"https:\/\/vjic.org\/vjic2\/?page_id=834\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":88893,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-834","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2KsSU-ds","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/834","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/users\/88893"}],"replies":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=834"}],"version-history":[{"count":0,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/834\/revisions"}],"wp:attachment":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}