{"id":8076,"date":"2024-12-16T19:07:08","date_gmt":"2024-12-16T19:07:08","guid":{"rendered":"https:\/\/vjic.org\/vjic2\/?page_id=8076"},"modified":"2025-01-17T10:47:25","modified_gmt":"2025-01-17T10:47:25","slug":"ai-creativity-imagemaking","status":"publish","type":"page","link":"https:\/\/vjic.org\/vjic2\/?page_id=8076","title":{"rendered":"AI: Creativity &#038; Imagemaking"},"content":{"rendered":"<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=8074\">go to AI theme table of <span style=\"font-size: 10pt;\">contents<\/span><\/a><br \/>\n<a href=\"http:vjic.org\">go to VJIC table of contents<\/a><\/p>\n<p style=\"text-align: center;\"><strong><em>AI: Creativity &amp; Imagemaking<br \/>\n<\/em><\/strong>By Robert Hirsch and Edward Bateman<\/p>\n<p style=\"text-align: center;\">The start of a conversation on AI, creativity and imagemaking.<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"AI essay 1 intro\" src=\"https:\/\/player.vimeo.com\/video\/1045832776?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 16pt;\"><strong><em>I\u2019m sorry, Dave, I\u2019m afraid I can\u2019t do that<\/em>.<\/strong><\/span><\/p>\n<p style=\"padding-left: 80px; text-align: center;\">When Dr. David Bowman commands Hal 9000 computer to open<br \/>\nthe pod bay doors after HAL has locked him outside of the spacecraft.<br \/>\n<em>2001: A Space Odyssey<\/em> (1968) by Stanley Kubrick.<\/p>\n<div id=\"attachment_8078\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8078\" class=\"wp-image-8078 size-medium\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.1-HAL_Lip-Reading-300x176.jpg\" alt=\"\" width=\"300\" height=\"176\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.1-HAL_Lip-Reading-300x176.jpg 300w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.1-HAL_Lip-Reading-150x88.jpg 150w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.1-HAL_Lip-Reading-768x451.jpg 768w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.1-HAL_Lip-Reading.jpg 853w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-8078\" class=\"wp-caption-text\"><span style=\"font-size: 10pt;\">Figure 1.1 <em>Hal 9000 computer<\/em>, 1968. Variable dimensions. Digital file. Warner Bros. Pictures.<\/span><\/p><\/div>\n<p><span style=\"font-size: 10pt;\">Caption: HAL 9000 is a fictional artificial intelligence character and the primary antagonist in Arthur C. Clark\u2019s Space Odyssey series. First appearing in Stanley Kubrick\u2019s 1968 film: 2001: A Space Odyssey. HAL, a Heuristic Programmed Algorithmic Computer, is a sentient computer that <\/span><span style=\"font-size: 10pt;\">controls the systems of the United States Spacecraft Discovery One and interacts with the ship\u2019s astronaut crew. HAL introduced itself by saying, \u201cNo 9000 computer has ever made a mistake or distorted information. We are all, by any practical definition of the words, foolproof and incapable of error.\u201d Programmed to flawlessly run the mission, HAL\u2019s behavior became increasingly suspicious. While the astronauts were speaking confidentially in a pod, Hal read their lips through a window and learned of their plan to disconnect him. <\/span><span style=\"font-size: 10pt;\">Believing he was protecting the mission, Hal responded with calm and calculating neutrality by killing one astronaut and attempting to abandon the other out in the vacuum of space. We have a long history of fear and mistrust of our own creations stretching from the golem in Jewish lore to Mary Shelly\u2019s &#8220;Frankenstein; or, The Modern Prometheus&#8221; (1818) and the cinematic worlds of &#8220;The Terminator&#8221; (1984) and &#8220;The Matrix&#8221; (1999).<\/span><\/p>\n<p>There is something haunting about H.G. Wells\u2019 description of machine intelligence in his 1898 book <em>War of the Worlds.<\/em> \u201c\u2026minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes\u2026\u201d These intellects that we confront today are disembodied \u2013 and of our own making: Artificial Intelligences (AI). For our purposes, intelligence is the ability to acquire and apply knowledge and skills.<\/p>\n<p>There is a digital gold rush taking place, where large and small technology corporations as well as universities are investing heavily in AI, hoping to strike the mother-load. Even technologies that have nothing directly to do with AI are joining in the hype for fear of being left behind amid a mixture of competition, opportunity, risk, and occasionally, speculative frenzy.<\/p>\n<p>Historic gold rush events often reshaped local economies and societies, but also led to conflicts with those whose territories were being encroached upon. Predictions of what AI might mean range from the apocalyptic to the utopian. This has caused concern in disciplines that rely on creativity as part of their productivity and value, such as photography, graphic design, illustration and the motion picture industry.<\/p>\n<p>Some fear that AI will surpass our human intellectual and creative abilities. While intelligence remains difficult to define, we humans remain its measure. Biological intelligence, with its imagination, unconscious influences, hopes, and drive for innovation, are likely to remain vital. Although computers can defeat chess and Go masters, people continue to play and value these games for the challenges and benefits they present to the human mind.<\/p>\n<div id=\"attachment_8079\" style=\"width: 738px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8079\" class=\"wp-image-8079 size-full\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.2-War-of-the-Worlds-1906_Henrique-Alvim-Corra.jpg\" alt=\"\" width=\"728\" height=\"892\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.2-War-of-the-Worlds-1906_Henrique-Alvim-Corra.jpg 728w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.2-War-of-the-Worlds-1906_Henrique-Alvim-Corra-245x300.jpg 245w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.2-War-of-the-Worlds-1906_Henrique-Alvim-Corra-122x150.jpg 122w\" sizes=\"auto, (max-width: 728px) 100vw, 728px\" \/><p id=\"caption-attachment-8079\" class=\"wp-caption-text\"><span style=\"font-size: 10pt;\">Figure 1.2 Henrique Alvim Corr\u00eaa. H.G. Wells <em>War of the Worlds<\/em>. Illustration. Variable<\/span><br \/><span style=\"font-size: 10pt;\">dimensions. Digital file.<\/span><\/p><\/div>\n<p><span style=\"font-size: 10pt;\">Caption: In 1903, Henrique Alvim Corr\u00eaa executed a series of 32 notable illustrations, which were inserted in H. G. Wells\u2019 book <em>War of the Worlds<\/em> (serialized 1895 \u2013 1897). With the author\u2019s approval, Corr\u00eaa\u2019s work was published in a luxury edition of 500 copies in 1906 by L. Vandamme &amp; Cie in a French translation by H.D. Davray. Wells considered these illustrations superior to the original ones done by Warwick Goble.<\/span><\/p>\n<p>Could human creativity itself be a risk? Art making and creativity are considered defining aspects of humanity. Art made in the Upper Paleolithic era is considered a sign that they were beings like us. We have never before encountered intelligence, the ability to acquire and apply knowledge and skills, separated from embodiment and sentience. Is this the nature of AI and is it a threat to our deeply held beliefs in what makes humans unique on this planet? Or is it an evolution of our tool creation and use as in photography\u2019s transition from a chemical process to a digital one? Already, AI is source of readily accessible information, akin to an enhanced Google search, on almost any topic.<\/p>\n<div id=\"attachment_8080\" style=\"width: 543px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8080\" class=\" wp-image-8080\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.3-Bison-Magdalenian-polychrome-1024x684.jpg\" alt=\"\" width=\"533\" height=\"356\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.3-Bison-Magdalenian-polychrome-1024x684.jpg 1024w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.3-Bison-Magdalenian-polychrome-300x200.jpg 300w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.3-Bison-Magdalenian-polychrome-150x100.jpg 150w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.3-Bison-Magdalenian-polychrome-768x513.jpg 768w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.3-Bison-Magdalenian-polychrome.jpg 1181w\" sizes=\"auto, (max-width: 533px) 100vw, 533px\" \/><p id=\"caption-attachment-8080\" class=\"wp-caption-text\"><span style=\"font-size: 10pt;\">Figure 1.3 <em>Bison Magdalenian polychrome,<\/em> from the Altamira cave complex, circa 36,000 BC. Variable dimensions. Digital file.<\/span><\/p><\/div>\n<p><span style=\"font-size: 10pt;\">Caption: The Cave of Altamira in Spain, famous for its Upper Paleolithic cave paintings featuring drawings and polychrome rock paintings of bison, human hands, and wild mammals. Altamira was the first cave in which prehistoric cave paintings were discovered.<\/span><\/p>\n<p>This series of essays will examine the nature of creativity and how AI\u2019s capabilities might impact artists and makers.<\/p>\n<div id=\"attachment_8081\" style=\"width: 389px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8081\" class=\"wp-image-8081 \" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.4-Cohen_London-Tat--300x225.jpg\" alt=\"\" width=\"379\" height=\"284\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.4-Cohen_London-Tat--300x225.jpg 300w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.4-Cohen_London-Tat--150x113.jpg 150w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.4-Cohen_London-Tat-.jpg 741w\" sizes=\"auto, (max-width: 379px) 100vw, 379px\" \/><p id=\"caption-attachment-8081\" class=\"wp-caption-text\"><span style=\"font-size: 10pt;\">Figure 1.4 \u00a9 Harold Cohen. <em>London at the Tate,<\/em> 1983. 22 x 30 inches. Ink on paper.<\/span><\/p><\/div>\n<p><span style=\"font-size: 10pt;\">Caption: Harold Cohen stated: &#8220;I write programs. Programs make drawings.&#8221; Using computers from the 1970\u2019s at Stanford\u2019s Artificial Intelligence Lab, Cohen developed a suite of programs, known as AARON, which could create his art without assistance.<\/span><\/p>\n<p>Predicting the future is always a fraught and risky proposition, but that is not our intention. We hope that a deep dive into the human act of creativity will enhance our understanding of how this evolving technology can be understood and utilized. AI itself will be a participant in these essays. When queried, AI responded with:<\/p>\n<p style=\"text-align: center; padding-left: 40px;\"><em>The effect of AI on art and artists is transformative. AI tools have enabled artists to explore new creative possibilities, from generative art to automated processes. However, concerns about the impact on artistic expression and the role of human artists remain. It is a dynamic landscape that prompts reflection on the relationship between technology and creativity<\/em>.<\/p>\n<div id=\"attachment_8082\" style=\"width: 402px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8082\" class=\"size-full wp-image-8082\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.5-Burson_Mankind.jpg\" alt=\"\" width=\"392\" height=\"450\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.5-Burson_Mankind.jpg 392w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.5-Burson_Mankind-261x300.jpg 261w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.5-Burson_Mankind-131x150.jpg 131w\" sizes=\"auto, (max-width: 392px) 100vw, 392px\" \/><p id=\"caption-attachment-8082\" class=\"wp-caption-text\"><span style=\"font-size: 10pt;\">Figure 1.5 \u00a9 Nancy Burson. <em>Mankind<\/em>, 1983-1985. 11 x 14 inches, Gelatin silver print. Rose Gallery, Santa Monica, CA<\/span><\/p><\/div>\n<p><span style=\"font-size: 10pt;\">Caption: Nancy Burson challenged photographic truth at the beginning of digital manipulation. Burson\u2019s pioneering work in age enhancement of the human face was utilized by law enforcement officials to help locate missing children and adults. Her <\/span><span style=\"font-size: 10pt;\">&#8220;Human Race Machine&#8221; <\/span><span style=\"font-size: 10pt;\">(2000) lets people view themselves as a different race. It has been used as an educational diversity tool that provides users with an introspective visual experience of being another race.<\/span><\/p>\n<p>From an artist\u2019s perspective, we will ask questions and provide context about what is actually being created, how the work circulates, and how viewers are responding to it. Will AI become another resource in an innovative toolbox that encourages experimentation and risk taking or will it be another example of technology dehumanizing the creative process? Photographically speaking, how might AI affect the way photo-based imagery is perceived and interpreted?<\/p>\n<p>Additionally, we envision these essays as an engaging collaboration that goes beyond our own current knowledge and generates a synergy. Just as we can\u2019t predict the future, we don\u2019t know where these essays will take us, which is a significant reason for pursuing them.<\/p>\n<div id=\"attachment_8083\" style=\"width: 586px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8083\" class=\"size-full wp-image-8083\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.6-Max-Headroom.jpg\" alt=\"\" width=\"576\" height=\"825\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.6-Max-Headroom.jpg 576w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.6-Max-Headroom-209x300.jpg 209w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.6-Max-Headroom-105x150.jpg 105w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><p id=\"caption-attachment-8083\" class=\"wp-caption-text\"><span style=\"font-size: 10pt;\">Figure 1.6 <em>Max Headroom<\/em>, 1985. Variable dimensions. Digital file.<\/span><\/p><\/div>\n<p><span style=\"font-size: 10pt;\">Caption: Advertised as \u201cthe first computer-generated TV host\u201d and media personality, Max was actually an actor wearing prosthetic makeup, contact lenses, a plastic molded suit, and who was sitting in front of a blue screen. You may view the original Max Headroom video on YouTube <\/span><span style=\"font-size: 10pt;\"><a href=\"https:\/\/www.youtube.com\/watch?v=6epzmRZk6UU\">https:\/\/www.youtube.com\/watch?v=6epzmRZk6UU<\/a><\/span><em><span style=\"font-size: 10pt;\"><br \/>\n<\/span><\/em><\/p>\n<p><strong>Socratic Dialogue Meets the Turning Test<\/strong><\/p>\n<p>A Socratic dialogue is a conversation that involves questions and answers as a form of critical thinking. The Turning Test, named after computer pioneer Alan Turing, is a thought experiment that measures a machine\u2019s ability to exhibit human-like intelligence through the simple question: Can a human tell if they are in a dialogue with another human or a computer?<\/p>\n<p>When we turn the tables on AI and ask: <em>How do you know I am not an AI talking with you<\/em>? AI responded with: <em>I actually don\u2019t know for certain! You could very well be an AI, especially given the precise and curiosity-driven nature of your questions<\/em>. And AI goes on to remind us that questions like these are a two-way street: Intriguingly, some computer systems today already use a form of reverse Turing Test, such as <em>CAPTCHAs<\/em>, where a system challenges a user to prove they\u2019re human by interpreting images or solving problems that are easy for humans but hard for machines.<\/p>\n<div id=\"attachment_8084\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8084\" class=\"size-medium wp-image-8084\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.7-CAPTCHA-300x197.jpg\" alt=\"\" width=\"300\" height=\"197\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.7-CAPTCHA-300x197.jpg 300w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.7-CAPTCHA-1024x674.jpg 1024w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.7-CAPTCHA-150x99.jpg 150w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.7-CAPTCHA-768x505.jpg 768w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.7-CAPTCHA-1536x1010.jpg 1536w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.7-CAPTCHA.jpg 1584w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-8084\" class=\"wp-caption-text\"><span style=\"font-size: 10pt;\">Figure 1.7 CAPTCHA (Completely Automated Public Turing test to tell Computers and Humans Apart), 2024. Variable dimensions. Digital file.<\/span><\/p><\/div>\n<p><span style=\"font-size: 10pt;\">Caption: CAPTCHAs are tools designed to differentiate between real users and automated users, such as bots. CAPTCHAs provide challenges that are difficult for computers to perform but relatively easy for humans. For example, identifying stretched letters or numbers, clicking in a specific area or identifying objects of a designated type (such as bicycles) in a gris of small images.<\/span><\/p>\n<p>Our first essay will address the nature of creativity, introduce the format, and define terms. Additional essays will build on the nature of creativity, how it is reflected in photo-based imagery, and how AI\u2019s impact might influence these models.<\/p>\n<p>We hope to be as surprised as our readers by what we discover in these essays.<\/p>\n<div id=\"attachment_8085\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8085\" class=\"size-full wp-image-8085\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.8-Salmon-swimming-down-a-river.jpg\" alt=\"\" width=\"1000\" height=\"991\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.8-Salmon-swimming-down-a-river.jpg 1000w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.8-Salmon-swimming-down-a-river-300x297.jpg 300w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.8-Salmon-swimming-down-a-river-150x150.jpg 150w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/12\/1.8-Salmon-swimming-down-a-river-768x761.jpg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><p id=\"caption-attachment-8085\" class=\"wp-caption-text\"><span style=\"font-size: 10pt;\">Figure 1.8 <em>Salmon Swimming Upstream<\/em>, 2022. Variable dimensions. Digital file.<\/span><\/p><\/div>\n<p><span style=\"font-size: 10pt;\">Caption: AI generated materials often offer numerous surprises.<\/span><\/p>\n<p>&nbsp;<\/p>\n<div style=\"padding: 56.25% 0 0 0; position: relative;\"><iframe style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"AI essay 1 Conclusion\" src=\"https:\/\/player.vimeo.com\/video\/1045833692?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>We plan to entertain questions and feedback from our readers. For more information on the authors visit:<\/p>\n<p>Edward Bateman <a href=\"http:\/\/www.ebateman.com\">http:\/\/www.ebateman.com<\/a><\/p>\n<p>Robert Hirsch <a href=\"https:\/\/lightresearch.net\/light\/\">https:\/\/lightresearch.net\/light\/<\/a><\/p>\n<p><a href=\"#top\"><strong>Top<\/strong><\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>go to AI theme table of contents go to VJIC table of contents AI: Creativity &amp; Imagemaking By Robert Hirsch and Edward Bateman The start of a conversation on AI, creativity and imagemaking. &nbsp; I\u2019m sorry, Dave, I\u2019m afraid I &hellip; <a href=\"https:\/\/vjic.org\/vjic2\/?page_id=8076\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":88910,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-8076","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2KsSU-26g","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/8076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/users\/88910"}],"replies":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8076"}],"version-history":[{"count":48,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/8076\/revisions"}],"predecessor-version":[{"id":8245,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/8076\/revisions\/8245"}],"wp:attachment":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}