{"id":7475,"date":"2023-05-19T12:40:36","date_gmt":"2023-05-19T12:40:36","guid":{"rendered":"https:\/\/vjic.org\/vjic2\/?page_id=7475"},"modified":"2024-02-27T17:40:36","modified_gmt":"2024-02-27T17:40:36","slug":"__trashed","status":"publish","type":"page","link":"https:\/\/vjic.org\/vjic2\/?page_id=7475","title":{"rendered":"Colonial to Contemporary Photography in Australia: Alexandra Guerman"},"content":{"rendered":"<p><a href=\"https:\/\/vjic.org\">Return to VJIC Table of Content<\/a><\/p>\n<p><span style=\"font-size: 14pt;\"><strong>Theme Table of Content<\/strong><\/span><\/p>\n<table>\n<tbody>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\"><strong>Alexandra Guerman<\/strong><\/p>\n<p>Alexandra Guerman is a Sydney-based researcher and curator. Alexandra has a Bachelor of Creative Arts and New Media (2001) from University of Wollongong and Master of Curating and Cultural Leadership (2022) University of NSW.<\/p>\n<p>Her research interests include critique and methodology of post-Socialism; postmodernism, postcolonialism, as well as global art and global art history.<\/td>\n<td style=\"text-align: left; vertical-align: top;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/827973690?h=6d1c105a0e\" width=\"250\" height=\"150\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\"><strong>Colonial to Contemporary Photography in Australia<\/strong><\/td>\n<td style=\"text-align: center; vertical-align: top;\"><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-7449\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/05\/1.6-Photograph-Thomas-Moseley-183x300.jpg\" alt=\"\" width=\"183\" height=\"300\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/05\/1.6-Photograph-Thomas-Moseley-183x300.jpg 183w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/05\/1.6-Photograph-Thomas-Moseley-92x150.jpg 92w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/05\/1.6-Photograph-Thomas-Moseley.jpg 600w\" sizes=\"auto, (max-width: 183px) 100vw, 183px\" \/><\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7365\">Go to Thread #1<\/a><\/td>\n<td style=\"text-align: left; vertical-align: top;\">June 2023<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7365\"><strong><em>The Making and Breaking of Image<\/em><\/strong><\/a><\/p>\n<p>&#8230; the dispossessed original owners of this land were considered by the colonizing governments to be only equal to flora and fauna until 1967.<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7365\">Go to Thread #1<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\"><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7596\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-7751\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/11\/2-index-eliz-theme-270x300.jpg\" alt=\"\" width=\"270\" height=\"300\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/11\/2-index-eliz-theme-270x300.jpg 270w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/11\/2-index-eliz-theme-135x150.jpg 135w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/11\/2-index-eliz-theme.jpg 325w\" sizes=\"auto, (max-width: 270px) 100vw, 270px\" \/><\/a><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7596\">Go to Thread #2<\/a><\/td>\n<td style=\"text-align: left; vertical-align: top;\">November 2023<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7596\"><strong><em>Photography as Classification and Creation of Indigenous &#8216;Other&#8217;.<\/em><\/strong><\/a><\/p>\n<p>The camera became instrumental during this period aiding the process of classification and observation. \u201cEverything was a subject to scientific scrutiny including the study of human beings.\u201d<a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7596#_edn5\" name=\"_ednref\"><\/a><\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7596\">Go to Thread #2<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; vertical-align: top;\">&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-7811\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/01\/3.6-Photograph.-Archie-Moore-Blood-Fraction-126x150.jpg\" alt=\"\" width=\"201\" height=\"239\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/01\/3.6-Photograph.-Archie-Moore-Blood-Fraction-126x150.jpg 126w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/01\/3.6-Photograph.-Archie-Moore-Blood-Fraction-251x300.jpg 251w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/01\/3.6-Photograph.-Archie-Moore-Blood-Fraction.jpg 600w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7804\">Go to thread three<\/a><\/td>\n<td style=\"text-align: left; vertical-align: top;\">&nbsp;<\/p>\n<p>March 2024<\/p>\n<p><em><strong><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7804\">Colonial to Contemporary Photography in<br \/>\nAustralia: Re-Representation<\/a><\/strong><\/em><\/p>\n<p>While white Australia was getting ready<br \/>\nfor celebration that commemorated 200<br \/>\nyears since the arrival of First Fleet, the aboriginal was documenting their protest of invasion.<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7804\">Go to thread three<\/a><span style=\"font-size: 12pt;\"><br \/>\n(Last essay in the series)<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Return to VJIC Table of Content Theme Table of Content Alexandra Guerman Alexandra Guerman is a Sydney-based researcher and curator. Alexandra has a Bachelor of Creative Arts and New Media (2001) from University of Wollongong and Master of Curating and &hellip; <a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7475\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":88910,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-7475","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2KsSU-1Wz","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/7475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/users\/88910"}],"replies":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7475"}],"version-history":[{"count":26,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/7475\/revisions"}],"predecessor-version":[{"id":7837,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/7475\/revisions\/7837"}],"wp:attachment":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}