{"id":6312,"date":"2021-08-20T15:22:02","date_gmt":"2021-08-20T15:22:02","guid":{"rendered":"https:\/\/vjic.org\/vjic2\/?page_id=6312"},"modified":"2024-10-05T17:23:58","modified_gmt":"2024-10-05T17:23:58","slug":"origins-of-the-holocaust-and-photographys-role-in-its-interpretation","status":"publish","type":"page","link":"https:\/\/vjic.org\/vjic2\/?page_id=6312","title":{"rendered":"Photography and the Holocaust: Then and Now -Table of Contents"},"content":{"rendered":"<p><span style=\"font-size: 10pt;\"><a href=\"https:\/\/vjic.org\">Return to VJIC Table of Content<\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<table>\n<tbody>\n<tr>\n<td><strong>Theme editor: Robert Hirsch<\/strong><\/p>\n<p><strong>Robert Hirsch<\/strong>, theme editor,\u00a0 is a photo-base artist, curator, educator, historian. Hirsch\u2019s work has been exhibited in over 200 international solo and group shows plus he has curated innumerable exhibitions.<\/td>\n<td style=\"text-align: center; vertical-align: top;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/589809651?h=358f8b8b1d\" width=\"250\" height=\"150\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/td>\n<\/tr>\n<tr>\n<td>\n<h3><strong>Theme Table of Content<\/strong><\/h3>\n<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; vertical-align: top;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/589810777?h=c2a73607f2\" width=\"250\" height=\"150\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6044\">Go to Thread #1<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/td>\n<td style=\"text-align: left; vertical-align: top;\">September 2021<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6044\">Thread #1<\/a><\/p>\n<h4><\/h4>\n<h4 class=\"entry-title\"><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6044\">Origins of <em>the <\/em>Holocaust and Photography\u2019s Role in its Interpretation<\/a><\/h4>\n<p>This thread assesses how photographs are an element in a larger systemic universe, deriving from multiple personal and community economic\/political\/psychological\/social and technical perspectives&#8230;<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; vertical-align: top;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/644378127?h=c2a73607f2\" width=\"250\" height=\"150\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6180\">Go to thread #2<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/td>\n<td style=\"text-align: left; vertical-align: top;\">November 2021<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6180\">Thread #2<\/a><\/p>\n<h4><strong>Nazi Photographic Perspectives <\/strong><\/h4>\n<p>This thread examines the perspective of a few select Nazi photographers and those in their service who made personal and official documents of what they saw happening around the ghettos and concentration camps<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; vertical-align: top;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/668216066?h=4f609bdbcf\" width=\"250\" height=\"150\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6183\">Go to the 3rd thread<\/a><\/td>\n<td style=\"text-align: left; vertical-align: top;\">February 2022<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6183\">Thread #3<\/a><\/p>\n<p><strong>\u00a0<\/strong><span style=\"font-size: 14pt;\"><strong>Jewish Photographic Perspectives Part 1<\/strong><\/span><\/p>\n<p>This essay explores two Jewish photographers, Roman Vishniac and Mendel Grossman, who made pictures of Jewish and resistance life and death leading up to and during the Holocaust.<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; vertical-align: top;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/691327593?h=3e0e795cc4\" width=\"250\" height=\"150\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_end\">\ufeff<\/span><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><span data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6719\">Go to the 4th thread<\/a><\/td>\n<td style=\"text-align: left; vertical-align: top;\">April 2022<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6719\">Thread #4<\/a><\/p>\n<p><strong>\u00a0<\/strong><strong><span style=\"font-size: 14pt;\">Jewish Photographic Perspectives Part 2<\/span><br \/>\n<\/strong><\/p>\n<p>This essay explores the photographic work of Faye Schulman, Francisco Boix, and the Sonderkommando whose photographs speak to resistance to the Holocaust.<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; vertical-align: top;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/746073493?h=edffdcb957\" width=\"250\" height=\"150\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/p>\n<td style=\"text-align: left; vertical-align: top;\"><\/td>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><\/iframe><\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6892\">Go to the 5th thread<\/a><\/td>\n<td style=\"text-align: left; vertical-align: top;\">September 2022<\/p>\n<p><strong>Henryk Ross: The \u0141\u00f3d\u017a Ghetto Photographs<\/strong><\/p>\n<p><strong>\u00a0<\/strong><strong>Jewish Photographic Perspectives, Part 3<\/strong><\/p>\n<p>This is the first of two essays exploring the photographic activities of Henryk Ross (1910-1991) who documented living inside the \u0141\u00f3d\u017a Ghetto (pronounced \u201cLawch\u201d) from 1940 to 1944.<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6892\">Thread #5<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; vertical-align: top;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/766821870?h=3cbfd6fb4a\" width=\"250\" height=\"150\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><span style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" data-mce-type=\"bookmark\" class=\"mce_SELRES_start\">\ufeff<\/span><\/p>\n<td style=\"text-align: left; vertical-align: top;\"><\/td>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><\/iframe><\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6894\">Go to\u00a0 Thread #6<\/a><\/td>\n<td style=\"text-align: left; vertical-align: top;\">November 2022<\/p>\n<p><strong>Jewish Photographic Perspectives, Part 3<br \/>\n<\/strong><strong>Henryk Ross: The \u0141\u00f3d\u017a Ghetto Photographs<\/strong><\/p>\n<p>This second of two essays continues to explore the photographic activities of Henryk Ross (1910-1991) who documented living inside the \u0141\u00f3d\u017a Ghetto (pronounced \u201cLawch\u201d) from 1940 to 1944.<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6894\">Go to Thread #6<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; vertical-align: top;\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7303 size-medium\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/01\/7.19-Miller_Buchenwald_web-284x300.jpg\" alt=\"\" width=\"284\" height=\"300\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/01\/7.19-Miller_Buchenwald_web-284x300.jpg 284w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/01\/7.19-Miller_Buchenwald_web-142x150.jpg 142w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/01\/7.19-Miller_Buchenwald_web.jpg 625w\" sizes=\"auto, (max-width: 284px) 100vw, 284px\" \/><\/td>\n<td style=\"text-align: left; vertical-align: top;\"><strong>February 2023<\/strong><\/p>\n<p><strong>Part 7: <\/strong><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7279\"><strong>&#8220;Liberation&#8221;<\/strong><\/a><\/p>\n<p>This essay examines the role photography has played in shaping a public Holocaust narrative following the arrival of Soviet and Allied forces at the Nazi work and death camps.<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7279\">Go to thread #7<\/a><\/p>\n<p>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; vertical-align: top;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-7429\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/05\/8.01_BRESSON_Accused-Gestapo--300x199.jpg\" alt=\"\" width=\"300\" height=\"199\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/05\/8.01_BRESSON_Accused-Gestapo--300x199.jpg 300w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/05\/8.01_BRESSON_Accused-Gestapo--150x99.jpg 150w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/05\/8.01_BRESSON_Accused-Gestapo-.jpg 625w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/td>\n<td style=\"text-align: left; vertical-align: top;\"><strong>June 2023<\/strong><\/p>\n<p><strong>Part 8: <\/strong><br \/>\n<a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7528\"><strong>&#8220;Aftermath: The Nuremberg Trials&#8221;<\/strong><\/a><\/p>\n<p>This essay examines the role photography has played in shaping a public Holocaust narrative following the arrival of Soviet and Allied forces at the Nazi work and death camps.<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7528\">Go to thread #8<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; vertical-align: top;\">\n<div class=\"mceTemp\"><\/div>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7629\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-7750\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/11\/9-hirsch-index-232x300.jpg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/11\/9-hirsch-index-232x300.jpg 232w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/11\/9-hirsch-index-116x150.jpg 116w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2023\/11\/9-hirsch-index.jpg 325w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/><\/a><\/td>\n<td style=\"text-align: left; vertical-align: top;\"><strong>November 2023<\/strong><\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7629\"><strong>Part 9:<\/strong><\/a><br \/>\n<strong>AFTERMATH: Displaced Persons (DP) camps, Immigration and Emigration<\/strong><\/p>\n<p>This essay continues to examine the role photography has played in shaping a public Holocaust narrative following the arrival of Soviet and Allied forces at the Nazi work and death camps.<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7629\">Go to thread #9<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; vertical-align: top;\">&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7859 size-medium\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/05\/10.20-Jewish-combatants-Israel--300x218.jpg\" alt=\"\" width=\"300\" height=\"218\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/05\/10.20-Jewish-combatants-Israel--300x218.jpg 300w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/05\/10.20-Jewish-combatants-Israel--150x109.jpg 150w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/05\/10.20-Jewish-combatants-Israel-.jpg 625w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7839\">Go to thread #10<\/a><\/strong><\/td>\n<td style=\"text-align: left; vertical-align: top;\"><strong>May 2024<\/strong><\/p>\n<p><strong><span style=\"font-size: 12pt;\">Home: Brief History of Isreal &amp; Zionism &amp; The Rise of the New Jew<\/span> <\/strong><\/p>\n<p><strong><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7839\">Go to thread #10<\/a><br \/>\n<\/strong><\/p>\n<p>This essay examines the role of photo-based imagery in the post-Holocaust world of Jewish self- determination that lead to the restoration of Israel as a Jewish homeland.<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center; vertical-align: top;\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-7953\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/09\/11.21-Womens-gymnastics-team-of-the-Basel-Jewish-Sports-Association--150x90.jpg\" alt=\"\" width=\"276\" height=\"166\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/09\/11.21-Womens-gymnastics-team-of-the-Basel-Jewish-Sports-Association--150x90.jpg 150w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/09\/11.21-Womens-gymnastics-team-of-the-Basel-Jewish-Sports-Association--300x180.jpg 300w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2024\/09\/11.21-Womens-gymnastics-team-of-the-Basel-Jewish-Sports-Association-.jpg 625w\" sizes=\"auto, (max-width: 276px) 100vw, 276px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7930\"><strong>Go to thread 11th<\/strong><\/a><\/td>\n<td style=\"text-align: left; vertical-align: top;\"><strong>October 2024<\/strong><\/p>\n<p>Mondern Maccabees:<br \/>\nIsreal&#8217;s Enduring Battle for Independence<\/p>\n<p><a href=\"https:\/\/vjic.org\/vjic2\/?page_id=7930\"><strong>Go to thread 11th<\/strong><\/a><\/p>\n<p>This is the last essay in the theme.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Return to VJIC Table of Content &nbsp; Theme editor: Robert Hirsch Robert Hirsch, theme editor,\u00a0 is a photo-base artist, curator, educator, historian. Hirsch\u2019s work has been exhibited in over 200 international solo and group shows plus he has curated innumerable &hellip; <a href=\"https:\/\/vjic.org\/vjic2\/?page_id=6312\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":88893,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-6312","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2KsSU-1DO","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/6312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/users\/88893"}],"replies":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6312"}],"version-history":[{"count":81,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/6312\/revisions"}],"predecessor-version":[{"id":8050,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/6312\/revisions\/8050"}],"wp:attachment":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}