{"id":4084,"date":"2015-05-05T14:14:11","date_gmt":"2015-05-05T14:14:11","guid":{"rendered":"https:\/\/vjic.org\/vjic2\/?page_id=4084"},"modified":"2015-05-07T14:31:01","modified_gmt":"2015-05-07T14:31:01","slug":"1-klaus-pamminger-films","status":"publish","type":"page","link":"https:\/\/vjic.org\/vjic2\/?page_id=4084","title":{"rendered":"Visual Dialog: Klaus Pamminger"},"content":{"rendered":"<p><span style=\"font-size: 10pt;\"><a href=\"https:\/\/vjic.org\/?page_id=1134\">Return to Table of Content<\/a><\/span><\/p>\n<p data-canvas-width=\"245.79598371175726\"><em>(Editor&#8217;s note: Visual dialogs may appear in various forms and formats.\u00a0 Key to understanding the journal&#8217;s use of the term &#8220;dialog&#8221; is to understand it as a conversation, an exchange of sorts between the the author and the reader\/viewer.\u00a0 A conversation between &#8220;you&#8221; and your experience.\u00a0 Meaning is not always clear and obvious, that is the point.\u00a0 Conversations between &#8220;you&#8217; and &#8220;you&#8221; are complex, if you listen.)<\/em><br \/><strong><\/strong><\/p>\n<p data-canvas-width=\"245.79598371175726\"><a href=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2015\/05\/klaus-3-vjic.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2015\/05\/klaus-3-vjic-300x240.jpg\" alt=\"&quot;MACKEY ARRANGEMENT&quot;, Paradigma - Art Association, Linz 2015\" class=\"alignleft wp-image-4140 size-medium\" height=\"240\" width=\"300\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2015\/05\/klaus-3-vjic-300x240.jpg 300w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2015\/05\/klaus-3-vjic-150x120.jpg 150w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2015\/05\/klaus-3-vjic-1024x819.jpg 1024w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2015\/05\/klaus-3-vjic.jpg 2000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><strong>Klaus Pamminger<\/strong> is an Austrian artist living in Vienna. His artistic practice comprises photographic, filmic and sculptural works across different media which often converge in the form of sculptural installations. One key theme of the artist is the exploration of space as both architectural and social or virtual dimension. Spatial and temporal reference levels merge into each other. Pamminger deconstructs and reconstructs. His \u201cRoom Invasions\u201d are accessible, stage-like images he uses to review traditional patterns of perception as well as our relation to set pieces of everyday life.<\/p>\n<p><a href=\"https:\/\/dl.dropboxusercontent.com\/u\/17417229\/%20pamk%20EXAMPLES_2015_online.pdf\">Past Projects Booklet (downloadable pdf)<\/a><br \/><a href=\"http:\/\/www.raum-mit-licht.at\/klaus-pamminger-19.html\">Website<\/a><\/p>\n<h2>\n<p>From Room Invasions, Series 1<br \/>ri-m#03_BDJ<\/h2>\n<p><iframe loading=\"lazy\" width=\"500\" height=\"281\" src=\"https:\/\/player.vimeo.com\/video\/121588649\" frameborder=\"0\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>\u00a9 Klaus Pamminger<\/p>\n<p>AT 2008<br \/>3 minutes 16 seconds, color, HD, 5.1 SR<\/p>\n<h4>&#8220;Picture details from Luis Bu\u00f1uel&#8217;s \u2018Belle de Jour\u2019 alter an apartment&#8217;s interior design. By putting together the puzzle pieces the rigid shot seemingly comes to life. The result of Klaus Pamminger&#8217;s unconventional episode is an indiscernible, but all the more impressive metamorphosis of filmic space.&#8221;\u2028(VIS 2010)<\/h4>\n<p><\/p>\n<h2>Shine Off Me<\/h2>\n<p><iframe loading=\"lazy\" width=\"500\" height=\"281\" src=\"https:\/\/player.vimeo.com\/video\/121588650\" frameborder=\"0\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\u00a9 Klaus Pamminger<\/p>\n<h4>AT 2010<br \/>minutes 46 seconds, color &amp; b\/w, HD, 5.1 SR<\/h4>\n<h4>Based upon Stanley Kubrick\u2019s \u2018The Shining\u2019 and in formal analogies to it, SHINE OFF ME tells in three chapters the story of a failed relationship.<\/h4>\n<h4>&#8220;The shift in the legibility of the real space of the individual towards the orchestrated image poses questions about the diegetic relationship of tension.&#8221; (Andreas Mueller, 2011)<\/h4>\n<p><\/p>\n<h2>\nMackey vs Film\u00a0<\/h2>\n<p><iframe loading=\"lazy\" width=\"500\" height=\"281\" src=\"https:\/\/player.vimeo.com\/video\/121588054\" frameborder=\"0\" webkitallowfullscreen=\"webkitallowfullscreen\" mozallowfullscreen=\"mozallowfullscreen\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>\u00a9 Klaus Pamminger<\/p>\n<h4>AT\/USA 2013<br \/>13 minutes and\u00a0 03 seconds, color &amp; b\/w, HD, 5.1 SR<\/h4>\n<p><\/p>\n<h4>\nTwo days and nights in the \u201cMackey Penthouse\u201d, constructed by the Austrian-American architect Rudolph Michael Schindler. \u2013 When the architectural masterpiece in Los Angeles was completed, \u2018Gone with the Wind\u2019 stirred the crowd. In the architect&#8217;s home country, where at the same time the crowd was stirred by Nazi propaganda, the movie theaters showed \u2018Mutterliebe\u2019 (Mother Love) by Gustav Ucicky. \u2013 A film which couldn&#8217;t be more different from the Selznick production. With the help of poetic means, this experimental short alludes to the structural break which emerges when concomitance goes beyond the homogeneous perception of history.<\/p>\n<p><a href=\"https:\/\/dl.dropboxusercontent.com\/u\/17417229\/%20pamk%20HANDOUT-MvsF_online.pdf\">Mackey vs Film Booklet (download pdf)<\/a>\u00a0 <\/p>\n<p><span style=\"font-size: 10pt;\"><a href=\"https:\/\/vjic.org\/?page_id=1134\">Return to Table of Content<\/a><\/span><\/p>\n<\/h4>\n","protected":false},"excerpt":{"rendered":"<p>Return to Table of Content (Editor&#8217;s note: Visual dialogs may appear in various forms and formats.\u00a0 Key to understanding the journal&#8217;s use of the term &#8220;dialog&#8221; is to understand it as a conversation, an exchange of sorts between the the &hellip; <a href=\"https:\/\/vjic.org\/vjic2\/?page_id=4084\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":88893,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-4084","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2KsSU-13S","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/4084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/users\/88893"}],"replies":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4084"}],"version-history":[{"count":52,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/4084\/revisions"}],"predecessor-version":[{"id":4152,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/4084\/revisions\/4152"}],"wp:attachment":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}