{"id":3548,"date":"2015-02-18T11:26:58","date_gmt":"2015-02-18T11:26:58","guid":{"rendered":"https:\/\/vjic.org\/vjic2\/?page_id=3548"},"modified":"2015-05-03T19:38:29","modified_gmt":"2015-05-03T19:38:29","slug":"a-identity-2-f-fini-video","status":"publish","type":"page","link":"https:\/\/vjic.org\/vjic2\/?page_id=3548","title":{"rendered":"Francesca Fini: Fair and Lost"},"content":{"rendered":"

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\u00a9 Fini from video “Fair and Lost”<\/p><\/div>\n

I’m wearing electrodes and I try to wear makeup. Involuntary muscle contractions caused by electric shock are very strong so that I cannot control my hands and the makeup spreads all over my face. We hear the chorus of “Nabucodonosor” by Giuseppe Verdi, which has a very strong symbolic value in the history of my country, bringing along the ghosts of old struggles for freedom that no one remembers anymore\u2014\u201cmy country, fair and lost.\u201d The hysterical, uncontrollable movement of the hand represents the disease of social habit, which reveals its fragility when the system appears on the point of collapsing: the deep conflict between a conscious behaviour and external social conditioning. Even crying is involuntary, caused by the black pencil and mascara entering my eyes since I cannot calibrate the movement of the hand. A mechanical cry that is automatically transmitted to the audience, in a sort of empathic conditioned connection, unconscious and therefore completely useless.<\/p>\n