{"id":2807,"date":"2013-11-04T19:06:23","date_gmt":"2013-11-04T19:06:23","guid":{"rendered":"https:\/\/vjic.org\/vjic2\/?page_id=2807"},"modified":"2013-11-25T22:26:33","modified_gmt":"2013-11-25T22:26:33","slug":"5-portfolio-text-added","status":"publish","type":"page","link":"https:\/\/vjic.org\/vjic2\/?page_id=2807","title":{"rendered":"Portfolio: Herman Mhire"},"content":{"rendered":"<p><span style=\"font-size: 20px;\"><\/span><span style=\"font-size: 10px;\"><em><em><a href=\"https:\/\/vjic.org\/?page_id=955\">Return to the Table of Contents<\/a><\/em><\/em><\/span><br \/><em><span style=\"font-size: 12px;\">(portfolios are best viewed in Firefox and require flash)<\/span><\/em><br \/><span style=\"font-size: 16px;\"><span style=\"font-size: 16px;\"><\/span><\/span><strong><br \/>Herman Mhire&#8217;s<\/strong> recent photographs began as meditations \u2028upon the forms, colors, and patterns\u2028 of marine mollusk exoskeletons\u2028 found in oceans around the world. \u2028As his approach to image making evolved, \u2028he altered the forms of the shells \u2028and placed them in imaginary environments. \u2028Gradually, other forms from nature were introduced including leaves, flowers, and butterflies.\u00a0A recurring pattern in his work consists of making straightforward photographs of a particular subject (human faces, sea shells, flowers), which inevitably leads to manipulation\/alteration of that subject. His training as a painter and print-maker heavily influences his approach to photography.<\/p>\n<table border=\"0\">\n<tbody>\n<tr align=\"left\" valign=\"top\">\n<td>\n<p><a href=\"https:\/\/vjic.org\/portfolio\/2013\/issue_5\/mhire-1\/album\/\"><strong>Portfolio: Essay 1<\/strong><\/a><\/p>\n<dl id=\"attachment_2818\">\n<dt><div id=\"attachment_2818\" style=\"width: 235px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2818\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2013\/10\/1-Mhire-225x300.jpg\" alt=\"\u00a9 Herman Mhire\" class=\"size-medium wp-image-2818\" height=\"300\" width=\"225\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2013\/10\/1-Mhire-225x300.jpg 225w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2013\/10\/1-Mhire-112x150.jpg 112w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2013\/10\/1-Mhire.jpg 513w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><p id=\"caption-attachment-2818\" class=\"wp-caption-text\">\u00a9 Herman Mhire<\/p><\/div><\/dt>\n<\/dl>\n<\/td>\n<td>\n<p><a href=\"https:\/\/vjic.org\/portfolio\/2013\/issue_5\/mhire-2\/album\/\"><strong>Portfolio: Essay 2<\/strong><\/a><\/p>\n<dl id=\"attachment_2819\">\n<dt><div id=\"attachment_2819\" style=\"width: 310px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2819\" src=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2013\/10\/21-Mhire-300x225.jpg\" alt=\"\u00a9 Herman Mhire\" class=\"size-medium wp-image-2819\" height=\"225\" width=\"300\" srcset=\"https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2013\/10\/21-Mhire-300x225.jpg 300w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2013\/10\/21-Mhire-150x112.jpg 150w, https:\/\/vjic.org\/vjic2\/wp-content\/uploads\/2013\/10\/21-Mhire.jpg 684w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-2819\" class=\"wp-caption-text\">\u00a9 Herman Mhire<\/p><\/div><\/dt>\n<\/dl>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>About:<br \/>Herman Mhire<\/strong> was born in Lafayette, Louisiana. He served on the faculty of the Department of Visual Arts and as Director of the Paul &amp; Lulu Hilliard University Art Museum at the University of Louisiana Lafayette where he organized more than 200 exhibitions including traveling exhibitions presented in the United States, Canada, and Europe. In 2005, he was awarded one of France\u2019s highest honors when the Minister of Culture of France named him a <em>Chevalier of the Order of Arts and Letters<\/em>.\u00a0Trained as a painter and print-maker, Mhire\u2019s 2008 shift to photography resulted in a series titled &#8220;Altered States&#8221; which was exhibited at the Acadiana Center for the Arts, Lafayette, LA 2009, Contemporary Arts Center, New Orleans, 2010, Martine Chaisson Gallery, New Orleans, 2011, and Sara Nightingale Gallery, New York, 2011. <br \/><a href=\"http:\/\/\/www.hermanmhire.com\">web site<\/a><\/p>\n<p><strong><span style=\"font-size: 16px;\"><span style=\"font-size: 10px;\"><em><em><a href=\"https:\/\/vjic.org\/?page_id=955\">Return to the Table of Contents<\/a><\/em><\/em><\/span><\/p>\n<p><\/span><\/strong><\/p>\n<p><span style=\"font-size: 16px;\">\u00a0<\/span><\/p>\n<p><strong><span style=\"font-size: 16px;\"><a href=\"http:\/\/vimeo.com\/67718695\"><\/p>\n<p><\/a><\/span><span style=\"font-size: 18px;\"><\/p>\n<p><\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Return to the Table of Contents(portfolios are best viewed in Firefox and require flash)Herman Mhire&#8217;s recent photographs began as meditations \u2028upon the forms, colors, and patterns\u2028 of marine mollusk exoskeletons\u2028 found in oceans around the world. \u2028As his approach to &hellip; <a href=\"https:\/\/vjic.org\/vjic2\/?page_id=2807\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":88893,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-2807","page","type-page","status-publish","hentry"],"jetpack_shortlink":"https:\/\/wp.me\/P2KsSU-Jh","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/2807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/users\/88893"}],"replies":[{"embeddable":true,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2807"}],"version-history":[{"count":0,"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=\/wp\/v2\/pages\/2807\/revisions"}],"wp:attachment":[{"href":"https:\/\/vjic.org\/vjic2\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}